Yet my conviction is that art goes beyond luxury. Art and beauty address the human need for hope. Beauty helps me believe that divine good does prevail. Seeking to bring the Kingdom of God to earth includes restoring the beauty that is present in creation — and adding to it. Facilitating public murals in the U. The effort of people making a mural together involves creative problem-solving and communication.
Participants must learn to voice their own opinions but also be willing to make sacrifices for the unity of the whole. Art-making is metaphorically linked to other life-building processes — and helps people tap into the transformative resources already present within themselves. I saw this happen last summer in neighborhoods of Brooklyn, the Bronx, and Queens, where I worked with Groundswell, an organization that employs high-school and college-age youth to create murals in their communities that respond to social justice issues they face.
I saw these young artists take a new kind of ownership of their neighborhoods and histories and develop new ideas for their futures. Art is about making space — both physical and mental — for listening, searching, and expressing. Art cultivates the ability to imagine a future and so transcend the present moment. This is inherently hopeful. To give hope to the hurting, the church must be invested in the question of what is truly beautiful — both in the work we create and the way we create. Megan Mitchell will graduate in May with an M. She earned a B. My place of employment is a sacred treasury — the Yale University Art Gallery.
All have given the world paintings that inspire near-universal adoration, and all have expressed, through both pigment and the written word, spiritual motivations for their art. Knowing their intentions, I am keen to look in their daubs and hues for evidence of divinity. Divinity of course! The sacral motivations of religious individuals and communities beyond the West are abundant in the museum as well — around virtually every corner.
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Religious groups come into the Gallery all the time. They hush and clasp their hands before dimly lit images. The works seem to elicit awe and reverence. Ultimately, however, I see the divine most clearly not in the works themselves, but in the budding curiosity and unfurling excitement of young visitors — the people I lead on teaching tours throughout the museum.
For you who seek to bring art to your religious communities, I encourage you to find ways to display art on the walls of your place of worship reproductions are an option! Support local artists. Encourage creativity among your own congregants. I especially urge you to bring your community to the art: Visit repeatedly your local art museums and galleries. Once there, find something new; spend more time with fewer works; leave the labels until the very end; converse with one another; ask difficult questions; sketch in silence; linger as long as you are able with a work you find boring, irksome, or downright ugly — and do the same with a work you love.
Few spaces can match the power of art museums, those revered storehouses of the sacred. Jeremy Hamilton-Arnold plans to graduate next year as an M. At an earlyth century Episcopal retreat center on the Upper East Side, we spent nearly eight hours together in a wood-carved library, hearing only the faintest of horn honks from the frantic taxi drivers on Park Avenue. Our curator for the day showed us photographs of famous paintings from the nearby Metropolitan Museum of Art while we methodically spent time in silence, wonder, and discussion of the pieces.
The room was full of brilliant seminarians, clergy, and academics, but it was the art that gave us something we could not have offered on our own.
It provided a spiritual avenue for confronting our humanity, at the same time assuring us of a mysterious glory within. A few weeks later, I found myself in a much different place — near the stage of the candlelit Bluebird Cafe in Nashville, TN. I sat with a table of friends Jack Daniel included to watch a round of four local songwriters play some of their most treasured music.
When Lori McKenna sang her first song, the air in the room turned electric, and the space was transformed. A few songs went by before Barry Dean gripped the audience with a new tune:. I managed to break away from the enchantment long enough to scan the room to see that every eye was salty, but clear.
Starry Starry Night A-Line Dress
When human beings, as creations of God, create or encounter the creativity of others, something full circle happens. It is the way the Spirit moves through art that grips me most tightly. No matter the kind of art, it provides a way forward during this often oversaturated, overstated, and unimaginative moment in the American church.
Art can serve as a means to re-translate and re-envision the story of faith and redemption for this world.
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She will graduate this spring with an M. For more information see Meredithjaneday.
Searching for a Starry Night, A Miniature Art Mystery
By the time I was six years old I knew I wanted to be an artist. I devoted myself to artmaking with a concentrated ardor, while simultaneously growing in my Mormon Christian faith. My spirituality became the very center of my life, around which art revolved. In , after serving for two years as a full-time missionary to the people of Los Angeles, I returned to my studies at the Cooper Union School of Art in New York City to continue my passion as an artist. A dead Damien Hirst tiger shark in formaldehyde or an Andy Warhol can of soup will not save the soul of anyone today or tomorrow.
I struggled to understand the spiritual role of art and how it could be of any real use when millions around the world were suffering and needed peace and a helping hand. I sought guidance from God.
I fasted and prayed for weeks, wanting to know what to do and how to proceed as a self-declared artist. Around this time I had profound experiences and received revelation regarding the subject, and yet it would be futile to attempt to explain the unexplainable. However, one thing is for sure — I have learned that the visual impacts the spiritual. With this knowledge, I began to create work that would visually express and capture the spiritual experiences I had and the revelation I had received.
It was both a spiritual process for myself and a hope that this art could bring spiritual experiences for others. You see … it is as if there is a world of ideal beauty, and between it and me hangs only a veil. Often that veil hangs motionless, until that beautiful moment when the wind blows and the curtain flutters aside. It is then that I catch a glimpse of the celestial world beyond — only a glimpse — but in that moment when all my physical senses seem to be turned off, my hair stands on end while a transcendent feeling flows through me, lifting me off the ground and filling me with light.
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Smoothie Bike. Spring Term Welcome to Year 4. Y4 Trip to Kidzania. This week in Literacy, to learn more about the characters of our story and understand the plot better we role played a conversation between Griffin and Layla.
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Here you can see pictures of the children planning their conversation. Feel free to ask pupils for updates on our story 'Perry Angel's Suitcase '. They were given a small piece of Van Gough's 'Starry night' which they then replicated. They worked hard to put the pieces back together to make their own version of original masterpiece.
Autumn Term Welcome to Year 4. In Science, we conducted an investigation involving Evaporation and Condensation.
These are the results of our condensation investigation. In Literary, we have started learning about play scripts. Here, we are reading through extracts from scripts. Our job was to discover which play it was from. Figure It Out Friday! Today, in maths, we had a mini Jeopardy game to review the topics we have been learning, for the last few weeks. Figure it Out Friday!
Wit our partner, we looked at the word problems under a variety of pictures, if the answer was correct, we could buy the painting. In science, we have been working on Changes of State.